While floundering as a horror film, ‘Baghead’ presents quite an interesting discussion point about western approaches to the supernatural.
What makes ‘The Holdovers’ so enjoyable is that it’s intelligent and well-crafted. It’s no wonder that Paul Giamatti and Da’vine Joy Randolph are gearing up to the winners of the Oscars in their category.
As something new and different, ‘I Am Not Big Bird’ was poised to really turn heads, start conversations, and really break boundaries. But they played it safe. They got the laughs, for sure, the people in the theater with me were laughing at all the gags, shocked at “the audacity of it.”
Uncover the highs and lows of this comic book adaptation and discover if “Madame Web” manages to weave a captivating narrative or gets entangled in its own complexities.
‘Poor Things’ is a complete assault on the senses and this aesthetic is wonderfully maintained all throughout its 142-minute running time. Lanthimos’ incredible filmmaking is so perfectly matched for this story.
As much as I was resisting it, this musical version of ‘Mean Girls’ found a way through my walls.
On the other hand, Gugino and Soberano find a sweet spot within the weird tone of the movie and somehow fit right in.
‘Priscilla’ is not a mainstream or commercial movie. It’s an arthouse, memory piece that serves to evoke feelings and create an impression of womanhood growing at such challenging, unprecedented circumstances rather than to create an in-depth character study. It’s a masterful work that deserves a bigger audience.
If you’re looking for something brainless and something light and fluffy, then ‘Argylle’ can be a fun time in the cinema.
‘GG,’ with its gritty neon-laced visuals and its lack of any sort of romantic angle in its storytelling, or its confidence in telling this story without the use of its lead stars matinee appeal feels refreshing and different.
