It is sometimes useful to withhold information in a film’s story to create a sense of mystery; that would get the audience invested into the narrative and capture their attention. The big reveal would create the “Aha!’ moment in the film’s third act that can create an emotional response that can make cinema fun. From the title alone, the horror film directed by Derick Cabrido and written by Enrico Santos ‘Untold’ attempts to use this structure but ends up undermining its film’s relatability making it a difficult watch. After all, ‘Untold’ is a horror film and by withholding important information at the first act of the film, it becomes harder for us to invest in the protagonist Vivian Vera, played by Jodi Sta. Maria.

The movie is about a reporter, Vivian Vera, who is being haunted by her past. Her latest scoops have not been doing as well as a landmark reportage she did in previous years about a massacre that happened at a real estate development property. That story put three people in jail, three of the culprits and the guard that let them in the property to kill the informal settlers whose homes were being vacated for the project. But now the guard has been set free, and Vivian is seeing the ghosts of the victims, and they are terrorizing her.

There are several things that aren’t working well in this film, the most significant one is the structural issue I stated above. As we enter the film, Vivian is the star reporter of the news program Untold and she’s unpleasant to work with, she comes off as two-faced to her boss and to the people around her, and she seems more concerned about her career than anything else. It’s a tough person to like, even when played by Jodi Sta Maria. Her character’s vulnerable side is her relationship with her mother (Gloria Diaz). The film, though, never takes a moment to really cement their dynamic. The nuances and textures of their relationship, much like the big mystery about why Vivian is being haunted, is left as a big exposition scene at the third act. This means that throughout the first two acts, Vivian is a character that we do not like and so it is hard for us to care about her and the fact that these spirits are haunting her.

For a horror film to succeed, we need to be able to care about the safety of the protagonist or at least someone good but this film has a huge absence of innocents. Almost everyone has a dark side or secret. Even the most innocent of the characters, Juan Karlos’ Jasper Torres, who works with Vivian and has an intense crush on her. He is the closest to good with have in the film but when you realize that he is blind to Vivian’s dark side that he would support her even after he discovers who she is do we see that he can’t be all that good. Without someone to root for, the hauntings become less scary.

And this is where it also fails. They say, “less is more” and ‘Untold’ could have used a bit more of this adage because the film is just chock-full of these scary moments. Vivian is constantly entering into a trance and being grabbed and groped and choked by these spirits, but she also ends up alive after every attack. No actual physical harm comes to her. After a certain point, they stop being scary because there’s no real apparent danger. The more we see – and we see the make-up, the special effects, and we get used to loud sound design that comes with everything haunting – we become desensitized and at some point, the people behind me at the cinema just started laughing.The film has a lot to say about not taking everything we see on media at face value. It asks us to interrogate what we see, ask questions, verify information and challenges everyone in that field to hold on to their integrity. It is quick to punish those that have stepped out of line but offers no counterpoint or comparison, so it comes off cynical and jaded. It’s not an easy watch. Even in films like these, we still need someone to root for.

My Rating:

Untold is now showing in cinemas! Check showtimes and buy your tickets here.