SYNOPSIS
Danny (Winston Elizalde) and Jonas (Nor Domingo) are two petty crooks who
dream of moving into the big scene. When their carefully-planned kidnapping
goes askew, Danny and Jonas find themselves in a tangle neither of them can
handle.
Big Time is the non-linear story of two small-time criminals, a wannabe
actress, the son of a crime lord, and the kidnapping that brings all of them
together for what should be the ticket to their dreams.
In this crazy world,
everybody wants to go big time.
Going BIG TIME: the story.
Filipinos almost have no other choice than to go for the big time. For many,
a lifetime of hard work and dedication results in a salary barely high enough
to keep their heads above water. This perpetuates a culture of widespread gambling,
corruption and pyramid schemes. Everybody plays the game, everybody knows it’s
crooked, but it’s the only game in the country.
The film is about the different ways Filipinos do to hit it big.
DANNY (Winston Elizalde) and JONAS (Nor Domingo) are the best of friends,
since grade school. In a way they’re harmless members of the Tambo community,
only they’re not as productive and successful as they’ve tried
so hard to be, legitimately. And so the duo engages in petty crimes to complement
their meager lives, all the time dreaming of the day they run their own big
organized crime operation, like the one of Don Manolo (Michael de Mesa), the
local crime lord.
Their ticket to the big scene is to kidnap MELODY (Joanne Miller), the prettiest
girl in Tambo. Her parents - DESI (Tony Roma), a taxi driver and TERESA (Carme
Sanchez), the doting stage mother – both have big dreams for their little
girl, which partly includes the local councilor. In truth, all Melody wants
is to become a big movie star. Every Wednesday, Melody’s parents go to
prayer rallies and Melody stays behind, supposedly to study.
On the night Danny and Jonas kidnap Melody, they discover a secret Melody
has been keeping from her parents for quite some time – WILSON (Jamie
Wilson). Wilson is your average confident wealthy dude raised in the States – except
that he happens to be the only son of Don Manolo. Wilson wants to take over
the family’s business in the underworld, but his father has plans of
his own for his son.
The four main characters meet, and as comic situations go, all plans turn
absurdly awry. Danny, Jonas, Melody and Winston must find what is truly in
themselves to fulfill their ultimate dreams.
Making BIG TIME: about the production.
Originally, Big Time’s story was to be pitched to Fil-Am actor Ernie
Reyes Jr. (The Rundown, Teenage Mutant Ninja Turtles) at the time the Hollywood
actor was in Manila looking for materials. But nothing had come of it. The
day before the deadline of the Cinemalaya competition for scripts, director
Mario Cornejo, who co-wrote the screenplay with producer Monster Jimenez, filed
the storyline on a whim. A few months after that, Big Time made it into the
list of ten finalists.
Casting Big Time was the first big task for the filmmakers. Casting files
added up to two inches thick of paper. “I think it paid off,” muses
Cornejo. “Our actors were first and foremost amazingly talented. But
more than that, they were so easy to get along with and amazingly fun to work
with.” Jimenez, who supervised the casting, agrees. “Shooting Big
Time was such great fun that many of the actors have become our good friends.”
For the entire production, the thirteen-day shoot was easily the most fun
everyone had. Filming began and ended in December 2004, with only two pick-up
days in January 2005. Almost everything went according to plan in those days,
but not without some glitches.
On the first day of shoot, Metro Manila was drenched at the height of a tropical
storm. The second day was threatened to be cancelled. But by midnight of the
first day, the storm had subsided, and the weather was friendlier after that.
Midway into the shoot, one of the cameras stopped functioning, forcing the
production to find a new camera and pushing the schedule back five hours. Despite
everything, the production continued to beat the festival’s deadline.
By February 2005, all the elements of the movie were in. Overall, Big Time
took around six months of preparation and production – an ordinary schedule
by industry standards, but quite a feat for the young production team.
About the Screenwriters
Mario Cornejo is 29 years old. He grew up in Tambo, where
Big Time takes place. He does not work in an office and has no plans to do
so in the future. Mario is a voracious reader who sometimes resorts to reading
math books and shampoo labels when there are no books left to read. Sometimes,
he writes. Sometimes, he directs. But only two things give him joy: making
movies and his cat, Cuba.
Coreen "Monster" Jimenez is 29 years old. She lives in Alabang
and works in an office called Arkeomedia. She has not informed U.P. that she
is not enrolling this term, only her second in the Master's Program for Creative
Writing. She was hired and fired by Mike de Leon several times. She doesn't
eat fruit.
Major Credit Titles
| Production Company |
Arkeofilms |
| Genre |
Comedy |
| Director |
Mario Cornejo |
| Producer |
Monster Jimenez |
| Major Cast |
Michael de Mesa
Nor Domingo
Winston Elizalde
Jamie Wilson
Joanne Miller |
| Supporting Actors |
Frederick Edwards
Joel Ruiz
Tony Roma
Gerry Cornejo
Amante Pulido
Jon Santos |
| Supporting Actress |
Carme Sanchez |
| Screenwriter |
Mario Cornejo
Monster Jimenez |
| Cinematographer |
Ike Avellana |
| Musical Scorer |
Allan Feliciano |
| Sound Design |
Raffy Magsaysay |
| Film Editors |
Mario Cornejo
Monster Jimenez |
| Production Designer |
Christina Dy |
| Line Producers |
Joel Ruiz
Margie Templo |